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Field noteResidency practice20 November 2025

The art of the residency

The most useful residencies do more than give an artist a room and a deadline. They create enough time and trust for a practice to meet its local context.

Originally published by the Countercult editorial team. The WordPress source does not identify an individual human author.

Slow down the calendar

Residencies are often described through dates, deliverables, and final presentations. Those details matter, but they are not the work itself. The work is the time in between: noticing a place, meeting people, and allowing an idea to change shape.

Da Nang, Berlin, Cape Town

Across residencies and creative exchanges, the location is not a backdrop. In Da Nang, Berlin, and the planned work in Cape Town, the value comes from how artists encounter local rooms, businesses, and communities.

A residency can support a neighborhood when the artist is treated as a participant rather than a temporary consumer of atmosphere.

Creative work gets deeper when it has somewhere real to be responsible to.

Vulnerability is part of the format

Collaboration asks people to be unfinished in public. Good residency design makes room for that uncertainty, while still giving everyone clear expectations about access, care, credit, and what is being shared.

The outcome may be an artwork, but it may also be a relationship, a new local connection, or a way of seeing a place that did not exist before.

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Adapted from the original residency note, published 20 November 2025. It describes a practice and set of experiences, not a universal residency model.

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About the names in this Journal: Countercult is the B2C platform and community/supplier base for discovering artists, spaces, and local culture. Countercult Studios is a private commercial B2B service operation for strategy, local marketing, curation, and delivery. The Fund sits under Countercult Studios; clients currently retain the budget and pay artists and Studios separately. Transaction-data fund holding or routing is exploratory, not live. This site describes their roles without stating a legal relationship.

This piece was informed by Shona Neary’s writing, conversations, and thinking around independent culture, artists, and place.

editorial process: Our Journals are pulled from our writings over the years to get information out as quickly and as widely as possible, and to get to what matters: finding each other and claiming our seat in the circular economy. Some ideas overlap between Shona Neary's work on cultural infrastructure and their artist practice as Sketchy Shona. AI is a tool for infrastructure, not for creating Journal writing or artists' work. We welcome original reporting and pitches from journalists and independent publishers.