I want the work to develop through making, collecting, conversation and public records, rather than depending on a constant stream of content.
Painting, objects, murals, tattoos, installation, textiles, fashion and live work hold different materials, audiences and durations. I follow those changes without making the forms interchangeable.
Work with the practice
Collectors can follow original releases. Curators and institutions can read the exhibition and project archive. A commission begins with a specific person, place and reason for making the work. The Journal records the thinking behind it.